Harry
Houdini, July 7, 1912. The crate will be sealed and lowered into
New
York Harbor; he’ll escape. Photo: Carl Dietz. Prints and Photographs
Division.
One of the most recognizable figures of the 20th century, Harry
Houdini —
escape artist, debunker of frauds, delver into all things
mysterious —
spent a surprising amount of time in the company of the
police. The Library has
his collection
in the Rare Book and Special Collections Division, and it is filled
with
marvelous things — just ask author, actor and magician Neal Patrick
Harris,
who visited the collection before his recent appearance here.
One thing that you’lff notice is that the self-proclaimed Handcuff
King routinely
issued challenges to law enforcement, claiming that no
handcuffs or prison cells
could hold him — stunts that made Houdini
famous around the world
and frequently brought him into contact with
people on both sides of the law. He
spent a lifetime studying the
methods of the criminal element to understand how
they duped the innocent and unsuspecting.
This insight resulted in law enforcement occasionally asking for
Houdini’s help
in solving crimes. On at least one occasion, Houdini
received an official police
pass allowing him to cross any police
barriers in an active crime scene or
investigation. This unusual level of involvement with police matters allowed
Houdini
to amass a huge amount of information related to crime, fraud and
general wrongdoing. In 1906, he gathered this information and published
“The Right Way to Do Wrong: An Expose of Successful Criminals.”
In the preface, Houdini outlines his purpose: “I trust this book will
… put you
in a position where you will be less liable to fall a
victim.” Each chapter
explores various classes of criminals, from
burglars and cracksmen to
“healers” and humbugs, revealing the tricks
they use to con their innocent prey.
Houdini condemns the behavior of
criminals but also claims they have the same
“talents” as giants of
business and finance — only with their energy and skills
applied in the
wrong direction.
The books were sold primarily at Houdini’s own performances, and
rumors
circulated when it was published that criminals snatched up as
many copies as
they could in an effort to protect their secrets (rumors
now supposed to have
been started by Houdini himself). Perhaps Houdini
truly did hope to use his
knowledge to inform and protect the innocent
public; perhaps he also saw
this as an opportunity to once again display
his incomparability as the master
of all that mystifies.
via https://blogs.loc.gov/loc/2019/10/harry-houdini-and-the-smart-way-to-commit-crimes/
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