Everyone who works in children’s books is familiar with the Harry
Potter conundrum. Written over a 10-year span, the books increased in
complexity and emotional heft book by book as the characters aged up
with their audience. Kids who read the first charming, magical romp when
they were seven were 17 by the time the 700+ page final tome rolled
around. Not a standard model for series publishing for children, the
series nonetheless defined the childhoods of a generation of readers and
captivated adults in equal measure.
If you’ve ever worked in a bookstore, you also know that Harry Potter
conversations themselves are rife with tricky interactions. Many a
precocious six, seven, or eight year old has read Harry Potter, leaving
their parents confident that they are ready for something just as thick
or written at an equal level (which by book seven basically means YA).
It’s almost a bookselling cliché at this point—that everyone’s gifted
grandchild has read Harry Potter years ahead of their peers and needs
something new to challenge them at their “advanced level.”
As much as the cliché is based on real bookstore dynamics, these
conversations don’t make me roll my eyes. I understand why it’s so
confusing. Harry Potter has entered our cultural zeitgeist to the point
where kids are motivated to read beyond their comfort zone just to find
out what the excitement is about. It doesn’t mean that going back to
something a little lighter is a backslide, and it also doesn’t mean
their attention will be held by something equally hefty and involved.
That’s what I tell parents and grandparents all the time, and, honestly,
they usually get it. ... [mehr] http://blogs.publishersweekly.com/blogs/shelftalker/?p=29462
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