On the third floor of the New York Public Library, off of a quiet,
marble-tiled hallway, is the Berg Reading Room. Mary Catherine
Kinniburgh is one of the literary-manuscript specialists in charge of
the cache of artifacts, which includes a lock of Walt Whitman’s hair,
Jack Kerouac’s boots, and Virginia Woolf’s walking cane—all guarded by a
buzzer and a strict protocol for appointment-only visits. “You can’t
help but be a person in space and time in history, particularly in this
room. It’s an opportunity to encounter an object in a very physical way,
to generate meaning that transcends the shape of time,” Kinniburgh
said.
The Berg Collection’s roughly two thousand linear feet of
manuscripts and archival materials were donated to the library, in 1940,
by two brothers, Henry W. and Albert A. Berg. The brothers, both
doctors who lived on the Upper East Side, were avid collectors of
English and American literature—and of literary paraphernalia.
The
library categorizes these items as “Realia”—objects from everyday life.
The Berg Collection includes Charlotte Brontë’s writing desk, with a
lock of her hair inside; trinkets belonging to Jack Kerouac, including
his harmonicas, and a card upon which he wrote “BLOOD” in his own blood; typewriters belonging to S. J. Perelman and Paul Metcalf; Mark Twain’s pen and wire-rimmed glasses; Vladimir Nabokov’s butterfly drawings; and the death masks of the poets James Merrill and E. E. Cummings. ... [mehr] https://www.newyorker.com/culture/culture-desk/the-odd-literary-paraphernalia-of-the-new-york-public-librarys-berg-collection
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