Abraham Lincoln’s first inauguration on March 4, 1861, marked a
pivotal moment in the nation’s history. A country on the brink of a
civil war had all eyes looking to the new president as either the
preserver of the nation or as an enemy of the South. Threats of
assassination loomed; a plot had been discovered and narrowly averted a
month earlier.
The photo taken of that moment has become an icon of U.S. history:
Lincoln, a tiny dot in front of the unfinished Capitol Building; the
faint slant of sunshine; the crowds crammed into every available vantage
spot, including two men perched in a leafless tree. Here’s the New-York Tribune
describing it: “The avenue in front of the portico was thronged with
people, the crowd extending to a great distance on either side and
reaching far into the Capitol grounds, and every available spot was
black with human beings, boys and men clinging to the rails, mounting on
fences, and climbing trees until they bent beneath their weight.”
Only three prints of this negative are known to survive. One is at the Library, a salted paper print kept in the Benjamin B. French album in the Prints and Photographs Division. (French headed the inauguration preparations.)
Alexander Gardner,
then employed at Mathew Brady’s Washington gallery, is most often
credited as the man behind the lens, though he never actually said that
he was. Over time, it became attributed to him, which seemed reasonable.
He took Lincoln’s portrait many times, he recorded some of the most
lasting images of the Civil War and he photographed Lincoln’s second
inauguration.
However, my recent research in the Library’s collections has shown
that he did not take the historic image of the first inauguration. That
photographer, instead, was the unheralded John Wood.
If you’ve never heard the name, don’t worry. He’s virtually unknown
in American photography. If five of his images did not appear in “Gardner’s Photographic Sketch Book of the War,” he might not be mentioned at all.
But Wood was the government’s first official photographer. Montgomery
C. Meigs, chief engineer for the capitol extension, hired him on May
14, 1856, to document major building projects in and around D.C. I first
came across his work in 2016, while researching Civil War photographers
who used their craft to make maps. After seeing Wood’s pictures of the
Capitol construction, I was shocked that he had not earned a more
prominent position in the annals of American photography. His work on
architectural subjects was magnificent. His use of large formats, as
large as 11 x 14 inches, also made him noteworthy.
Perhaps he isn’t widely known because he was a government
photographer, a faceless bureaucrat of sorts. And while his views are
captivating, they certainly were not profitable in a 19th century photographic marketplace focused largely on portraiture.
In any event, when I saw his photograph of the 1857 inauguration of
James Buchanan, I was struck. It was taken from an elevated platform to
the right of the president — just like the Lincoln inauguration photo.
Further, I was able to identify Wood as the photographer of several
other images in the French album.
Next, there’s the very paper it’s printed on — salted paper. This
technique of printing was common in 1857, but by the time 1861 rolled
around, Gardner and most other photographers had transitioned to albumen
papers. Wood, however, was still using it. It was here that I began to
think that the Lincoln photo might be by Wood, but I wasn’t at all sure.
The proof came after a year of searching. In the April 6, 1861,
edition of the Illustrated Times, a British weekly, I located a woodcut
engraving that was almost an exact match of the famous photograph. The
caption: “Inauguration of the Hon. Abraham Lincoln, as President of the
United States, at Washington, on March 4, 1861 — (From a photograph by
Mr. J. Wood.)” The woodcut took a few artistic liberties, such as making
Lincoln prominent and filling in the blurred American flag, but the
rest is exact. Remember the newspaper story describing men climbing
trees to get a better view? Compare the two in the lower left corner. As
with so many other details, it’s a precise match.
Lastly, this photograph was clearly taken from an elevated platform,
meaning the photographer had privileged access. It makes sense that this
honor would be given to the Capitol’s official photographer, who had
worked the previous inauguration from much the same vantage point. The
New-York Tribune story confirms there was such a platform: “A small
camera was directly in front of Mr. Lincoln, another at a distance of a
hundred yards, a third of huge dimensions on his right, raised on a
platform built especially for the purpose.”
Wood did indeed work with a large camera. And so it’s my conviction
that it was him on the platform that day, opening the shutter for two or
three seconds, the light streaming onto a collodion glass plate
negative, preserving the image of a man, and a nation, poised on the
precipice of a new world order.
These early photographers deserve our consideration, and it gives me
great pleasure to bring another one of them who was lost in the shadows
back into the light.
via https://blogs.loc.gov/loc/2019/11/the-mystery-of-lincolns-first-inauguration-photograph/
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