No other poet wrote about birds as
often—or as well—as John Clare. This 19th-century farm laborer turned
man of letters was, as the ornithologist and broadcaster James Fisher
deftly put it: “the finest poet of Britain’s minor naturalists and the
finest naturalist of Britain’s major poets.”
Thanks to his field skills, observational talents and hard-won
expertise, Clare’s writings contain references to at least 120 (and
possibly as many as 150) different species. These observations give us a
profound insight into the dramatic and often devastating changes to the
birds of our farmed countryside over the past 200 years. Foremost
amongst these is the loss of the bird Clare described as a ubiquitous
“summer noise among the meadow hay”: the corncrake or, as Clare called
it, the landrail.
Patronized by the London literati as a “peasant poet,” Clare, and in
due course his poetry and prose, were intimately linked to the place
where he grew up, and spent the majority of his life: the village of
Helpston. Living on the edge of the flat, watery fens of East Anglia,
but also close to the classic “Middle England” landscape of
Northamptonshire, the young Clare could explore fields and meadows,
streams and rivers, woods and fens, and get to know their birdlife.
Through his rootedness in one place, during his twenties and thirties
John Clare produced some of the finest nature poems ever written.
However, for over a century these were neglected by literary critics and
the general public alike, until from the 1950s onwards his reputation
was restored and rehabilitated. Today he is widely hailed as one of the
most influential of all writers on nature. .... [mehr] https://lithub.com/the-grandfather-of-new-nature-writing-was-a-bird-loving-poet/
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